What Every Singer Needs to Know About the Body, Third Edition gives singers and teachers a Body Mapping resource - from anatomy and physiology to body awareness - that helps them discover and correct misconceptions about how their bodies are designed and how they function. This book provides detailed descriptions of the structures and movements necessary for healthy and efficient body awareness, balance, breathing, phonation, resonance, articulation, and gesture. Many voice books focus on the anatomical facts, but leave singers asking, "How can I apply this to my singing?" What Every Singer Needs to Know About the Body helps to answer that question, providing practical exercises and detailed illustrations.
For the third edition, the authors have updated and expanded the content throughout the book. Some specific additions include:
- Updates throughout in response to reader feedback.
- Author recommended websites and resources to clarify Body Mapping concepts.
- Audio and video recordings of the exploratory exercises available on a PluralPlus companion website.
This book provides the technical foundation for singers of all styles. The authors do not espouse a single method or attempt to teach singing techniques or styles. Rather, they describe the movements of singing with accuracy and detail so that singers may experiment on their own and communicate with each other in a common language.
In the words of Lynn Helding, Associate Professor of Practice in Vocal Pedagogy at the University of Southern California Thornton School of Music and author of the "Mindful Voice" column in the Journal of Singing:
"What sets this book apart are the detailed exercises designed to inculcate accurate kinesthesia in singers. This facet of the book is critically important, because it is not sufficient to simply possess 'declarative' knowledge of voice physiology. Singers must develop 'body sense' on how to marshal all the components of the five systems of the voice (respiration, phonation, resonation, articulation and cognition) to work together to create efficient, artistic singing."
Introduction by Barbara Conable
How to Use This Book by Melissa Malde
Chapter 1. Body Mapping, Kinesthesia, and Inclusive Awareness
Chapter 2. The Core of the Body and the Six Places of Balance
Chapter 3. The Singer's Breath
Chapter 4. Creating a Singing Sound
Chapter 5. Resonating the Voice
Chapter 6. Singing as Communication: Mapping the Structures of Articulation
Chapter 7. Physical Expression for Singers
Appendix A. What to Do About Performance Anxiety
Appendix B. The Scientific Basis of Body Mapping
T. Richard Nichols
About The Authors
Melissa Malde, DMA, is a licensed Andover Educator and performs regularly in opera, concert, recital, and musical theatre. She holds degrees from Oberlin College and Conservatory, Northwestern University, the College-Conservatory of Music of the University of Cincinnati, and the Hochschule für Musik in Munich, where she studied under the auspices of a German Academic Exchange grant. While in Munich, she won first prize in the Kulturforum Competition. Other honors include winning CCMs Concerto Competition, the Sudler Oratorio Competition and a Farwell Award in Chicago, and the Brice-Gooter Award at the NATSAA competition. She has presented academic papers, lecture recitals and clinics nationwide and is a professor of voice and vocal pedagogy at the University of Northern Colorado.
MaryJean Allen, MM, AD, is a licensed Andover Educator. She is also a certified Alexander Technique teacher (Alexander Technique--over 100 years old--teaches everyone how to become aware of and how to eliminate habits that interfere with fluid, free movement). MaryJean teaches Body Mapping and Alexander Technique workshops at young artist programs, universities, colleges, high schools, and churches. A veteran private voice teacher for 30 years, MaryJean has students who sing professionally in classical, music theatre, or pop music venues; others teach voice or choral music. MaryJean holds a Master of Music degree and an Artist Diploma in vocal performance from the Cleveland Institute of Music and earned a Bachelor of Music degree in vocal performance with a minor in piano performance from Oklahoma City University.
Kurt-Alexander Zeller, DMA, is a licensed Andover Educator and has presented Body Mapping workshops at regional, national, and international conferences. He currently serves as Director of Opera and Vocal Studies and as Coordinator of the Division of Music at Clayton State University in suburban Atlanta, Georgia. He is an active performer of early music and concert repertoire but especially enjoys working as a singer and director in all forms of music drama. Dr. Zeller holds undergraduate degrees in music and theatre from the Meadows School of the Arts at Southern Methodist University and earned his graduate degrees at the College-Conservatory of Music of the University of Cincinnati. He has completed further studies at the Seattle Academy of Baroque Opera, the Early Music Institute of Indiana University, and the 1995 National Association of Teachers of Singing Internship program.
350 pages, Illustrated (B/W), Softcover, 8.5 x 11"
Purchasers of this book receive complimentary access to supplementary materials hosted on a PluralPlus companion website.
To access the materials, log in to the website using the URL and Access Code located inside the front cover of your copy of What Every Singer Needs to Know About the Body, Third Edition.